Change, and how it acts as the most effective catalyst for artistic expression through music.
Richard Power’s novel Galatea 2.2 follows a journey into the construction of artificial intelligence to replicate literary criticism. Autumn Huxtable explores how the novel highlights the uniqueness of human thought in the wake of AI, and the ethical questions of what constitutes “human” and “machine”.
A review of The Bailey Theatre Company’s Pygmalion, My Fair Lady
Natalie discusses the response to Trump’s Greenland threats.
From Home Alone’s 2x Spicy chaos to Love Actually’s creamy Carbonara comfort, these pairings make no logical sense — only vibe-based sense. This isn’t film criticism. It’s festive survival.
Few names in the world of fashion evoke such luxury grandeur as Valentino Garavani. The Italian designer – whose recent passing on 19 January, aged 93, marked a pivotal juncture in fashion history – spent over six decades cultivating his empire of fashion, coloured by the distinctive Valentino red. He passed away at his residence […]
Oscar Ryley explores the world of achievement hunting, and how it relates to the perfectionism that underlies the tendency.
This weeks’ editorial from the General Editors.
In this article, the Editor-in-Chief discusses the pressing debate surrounding whether we should be able to leave books a public negative review, following the Cait Corrain scandal.