Director’s Note: Twelfth Night
Lucy Knight discusses the honour of being chosen to direct CTC's 'Twelfth Night', the 'latent queerness' of it all and the silliness of one of Shakespeare's most farcical comedies.
Drama
Review: Aaron
Florence Petrie brings a brilliant contemplation on Prader-Willi syndrome to DFoA through the use of physical theatre, brilliant performances and opening the play to wider debates about disabilities.
Review: Death as a Salesman
'Death as a Salesman' offers an original and 'impeccably written' insight on mortality as part of DFoA's Black Box Series.
Director’s Note: Our Country’s Good
Jess Frieze brings the hard-hitting and indefinable 'Our Country's Good' to the DST.
Director’s Note: The 25th Annual Putnam County Spelling Bee
Director of 'The 25th Annual Putnam County Spelling Bee', Francesca Davies-Cáceres discusses bringing the musical from Broadway to DST.
In conversation with: ‘Aaron’
The cast and crew of 'Aaron' discuss why their play is unique, its importance and what they want their audience to take away from it.
Review: A Night at the Tony’s
'A Night at the Tony's' offered a fun night of improvised music, Broadway classics and lesser-known pieces in TDTC's one-off spectacular.
Writer’s Notes: DFoA Black Box Series
The writers of The Black Box Series talk, or rather refuse to talk, about their shows debuting for the first time in Durham‘s Festival of the Arts.
Director’s Note: A Night at the Tony’s
Director Mary Lord promises something for everyone as she aims to bring the glory and the glamour to The Assembly Rooms Theatre.
Review: The IT Crowd
In its theatrical debut, The IT Crowd offers a charming replica of the original, which will hopefully give the newer fans a glimpse into the iconic humour of the TV…