Review: Death to the Afterlife
'Eerie, supernatural, yet vaguely relatable' - Lauren Powdrell reviews Wrong Tree Theatre's Death to the Afterlife.
Drama
Director’s Note: Bring It On, The Musical
'The main theme throughout the show is friendship - how it's made and broken but also about the importance of having people around you who you care about.' Molly Taylor…
Director’s Note: All My Sons
"an exhibition of the futility and destructiveness of the capitalist machine"- Musaab Mustafa discusses GDTC's 'All My Sons'.
Review: Terrorism
"unsparingly brutal and raw as it is surreal"- Thomas Morris reviews STC's 'Terrorism'.
Review: Tappuccino
"this short but well-executed production leaves the audience laughing and wanting more"- Georgina Cole reviews DIM's 'Tappuccino'.
Director’s Note: TERRORISM
'As bizarre as it is touching, TERRORISM brazenly holds a mirror to our faces; we wonder what you will make of the reflection.' Aaron Rozanski and Sophie Cullis explain the…
Review: Oresteia
'The tension rarely falters' - Oresteia 'does not stray so far from the original that it loses the great cathartic impact of Greek theatre': Abbie Crunkhorn reviews Phoenix Theatre's Oresteia.
Review: The Hound of the Baskervilles
'What Suffragette Theatre Company’s production lacks in flair, it makes up for in admirable effort and a real dedication to the performance.' Isabella Briers reviews 'The Hound of the Baskervilles.'
Review: Birdland
"an entertaining piece of theatre and a vehicle for some impressive performances" Meg Luesley reviews Cuth's Drama Society's production of 'Birdland'.
Review: The Best Little Wh*rehouse in Texas
'A solid acting performance... but any spark of invention is sadly put out by technical issues and unremarkable directing.' Will Hutchings reviews 'The Best Little Wh*rehouse in Texas.'