Fate in Tragedy: What’s the point, then?
Evangelia Boyiatjis explores the unexpected empowerment destiny in a tragedy provides.
Durham University's Online Student Magazine
Evangelia Boyiatjis explores the unexpected empowerment destiny in a tragedy provides.
Shellshock’s festive improv show is perfect for enjoyers of jovial, and slightly bewildering, Christmas jokes!
Catherine Pienaar discusses the upcoming Christmas productions The Snowman and Peter and the Wolf.
Sofia Davies-Jurado analyses the impact that real-world cultures, such as Mesoamerica, had on the world of Zelda's open-world games
Mia looks at new film 'Conclave' to discover why it created such a stir on release
Isabelle Bylett reviews Durham Opera Ensemble’s production of Iolanthe, an impressive and engaging operetta filled with light-hearted farce and satire.
Gwen Smit questions the way we have come to understand ourselves and place in the world through alternative ideas of the self as found in Buddhist thought.
Maariya Khalid’s ‘Sick Dog’, directed by Billie Switonski interrogates the increasing concern over AI in today’s society with nuance and sensitivity. The play follows the story of Winnie, a miserable…
Tennessee Williams’ A Streetcar Named Desire is widely regarded to be one of the best written, and most influential, plays of the twentieth century, blending lyrical dialogue with expressionistic stage…
Meredith tells everyone why they should sit down and press play on the first episode of Apple TV’s ‘Severance’.