The perils of division in DUCT’s adaptation of Romeo and Juliet

Isabelle Bylett explores division in DUCT’s adaptation of Romeo and Juliet.

Iolanthe: A Review

Isabelle Bylett reviews Durham Opera Ensemble’s production of Iolanthe, an impressive and engaging operetta filled with light-hearted farce and satire.

‘Pride and Prejudice’: A review

A review of Pitch Production’s ‘White Liars and Black Comedy’

Is the pantomime still relevant in modern theatre?

A review of ‘1984’, by Isabelle Bylett

Theatre and class: Is theatre a medium of unity or division?

Dismantling ‘A Doll’s House’: the lasting impact of Henrik Ibsen in 20th century theatre

Isabelle Bylett reviews the Elysium Theatre Company’s adaptation of Shakespeare’s Othello