Can Modern Drama be Tragic? A look at ‘Waiting for Godot’ and ‘Death of a Salesman’ (part 1)

“Ultimately, tragedy does need a sense of human greatness, but I would argue that ‘human greatness’ is not denied by modern drama, but reframed within a background of cosmic indifference which only amplifies the hero’s tragic nobility, even if it is simultaneously presented as futile.”

‘Parisian Dreams’: beneath the mask of Haussmann’s Paris

Baudelaire wrote his ‘Tableaux Parisiens’ within Les Fleurs de Mal during Haussmann’s modernisation of Paris, and the poems consider twenty-four hours spent within the capital. However, these are not the ponderings of a decadent flâneur enjoying the new cityscape created for the bourgeoisie but rather ‘a haunted traveller in a world of phantoms, an ailing […]