Shellshock!’s ‘Crystal Unclear: An Improvised Séance’ – Review
Kashish Fatima reviews Shellshock's Fringe Tour preview.
Review
Fumbling heights: lust lost in translation
Grace Bailey reviews Emerald Fennell's recent adaptation of Brontë's 'Wuthering Heights' and it's fascination with modern lust, selling sex over gothic sensuality.
Are music apps ‘unlistenable’?
Why apps like Spotify, Apple Music and Prime Music may be destroying themselves.
Shellshock! Is behind you! – Review
Shellshock’s festive improv show is perfect for enjoyers of jovial, and slightly bewildering, Christmas jokes!
The Snowman and Peter and the Wolf Preview
Catherine Pienaar discusses the upcoming Christmas productions The Snowman and Peter and the Wolf.
Iolanthe: A Review
Isabelle Bylett reviews Durham Opera Ensemble’s production of Iolanthe, an impressive and engaging operetta filled with light-hearted farce and satire.
Maariya Khalid’s ‘Sick Dog’: A review by Emily Sanderson
Maariya Khalid’s ‘Sick Dog’, directed by Billie Switonski interrogates the increasing concern over AI in today’s society with nuance and sensitivity. The play follows the story of Winnie, a miserable…
A review of Woodplayers’ ‘A Streetcar Named Desire’ by Sarah Kelly
Tennessee Williams’ A Streetcar Named Desire is widely regarded to be one of the best written, and most influential, plays of the twentieth century, blending lyrical dialogue with expressionistic stage…
A review of the Finalist’s Showcase by Pearl D’souza
Since its inception in 2015, the Finalists’ Showcase has celebrated the immense talent of final-year students who have graced various stages in Durham with their performances throughout the years. This…
‘February Story’ review
‘February Story’ by Harry Threapleton tells the story of a student dealing with loss, insecurity, masculinity and the pressures of student life in the ‘God-forsaken month’ of February. Life is…