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Drama

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Review: Stand-Up Durham LIVE

Jack Parkes reviews an evening of stand-up comedy at Trevs’ Bar. (Read more)

Review: Hunchback of Notre Dame

Jack Parkes lauds the visual mastery of Ethrael Theatre’s original adaptation of Victor Hugo’s Gothic masterpiece. (Read more)

Review: Death of a Salesman

Rachael Smith reviews DST’s Fresher’s Play – Arthur Miller’s Death of a Salesman. (Read more)

Review: Cabaret

Andrew Shires reviews DULOG’s production of Cabaret. (Read more)

Review: Lord of the Flies

Ellie Scorah gives us her thoughts on Matthew Bourne’s dance adaptation of Lord of the Flies. (Read more)

Review: Come On, Jeeves

Megan Cutts reviews Ooook! Productions’ “hilarious”, “commendable” and “unapologetically British” rendition of Come On, Jeeves. (Read more)

Review: Motherland

Megan Cutts commends Castle Theatre Company on their heartbreaking and humourous performance of Motherland. (Read more)

Review: The Durham Revue

Jack Parkes casts an eye over the Durham Revue Returners Show. (Read more)

Review: Rosencrantz and Guildenstern Are Dead

Rachael Smith reviews DUCT’s performance of Rosencrantz and Guildenstern Are Dead. (Read more)

Preview: Rosencrantz and Guildenstern Are Dead

Megan Cutts interviews Dom Williams and Hugh Train ahead of DUCT’s latest production of Rosencrantz and Guildenstern Are Dead. (Read more)

Review: Medea

Abigail Tavener reviews the National Theatre’s take of Euripides’ enduring play Medea. (Read more)

Review: Cabaret

Andrew Shires reviews DULOG’s production of Cabaret. (Read more)

Review: Come On, Jeeves

Megan Cutts reviews Ooook! Productions’ “hilarious”, “commendable” and “unapologetically British” rendition of Come On, Jeeves. (Read more)

Review: The Durham Revue

Jack Parkes casts an eye over the Durham Revue Returners Show. (Read more)

Preview: Rosencrantz and Guildenstern Are Dead

Megan Cutts interviews Dom Williams and Hugh Train ahead of DUCT’s latest production of Rosencrantz and Guildenstern Are Dead. (Read more)

Review: Lord of the Flies

Ellie Scorah gives us her thoughts on Matthew Bourne’s dance adaptation of Lord of the Flies. (Read more)

Review: Motherland

Megan Cutts commends Castle Theatre Company on their heartbreaking and humourous performance of Motherland. (Read more)

Review: Rosencrantz and Guildenstern Are Dead

Rachael Smith reviews DUCT’s performance of Rosencrantz and Guildenstern Are Dead. (Read more)

Review: Medea

Abigail Tavener reviews the National Theatre’s take of Euripides’ enduring play Medea. (Read more)

More Drama articles »